Thanks to NetGalley and Orion for the ARC of this book.
I reckon Anthony Horowitz had so much fun writing this book. It was a lot of fun reading it as well; despite being slightly frustrating in the manner it holds back answers you are desperate to know.
This book has so many layers. It’s basically two murder mystery books in one. There’s a 1950’s Agatha Christie style British whodunnit as well as a modern crime thriller. In addition this book is really knowing, it’s all about the construction of a crime novel, the standard tropes and the joy of reading a cosy crime thriller.
This is such a clever book, the way the two murder mysteries link together is intriguing and the device of interjecting each story into the other at crucial points order to delay revealing the ending is infuriating but ingenious.
I won’t go into details on the plot as I don’t want to spoil this for anyone; it’s probably best read without any prior knowledge of the plot or characters.
I’ve been yearning for a really good crime/thriller read recently and this fits the bill perfectly. Plus there is no sexual violence towards women which is a blessed relief as this seems to be the theme of the vast majority of crime books and TV programmes at the moment.
I’d highly recommend this book to people who love old-fashioned crime stories but are looking for something which takes this genre and elevates it to something special. I’ll definitely read more books by Horowitz in the future.
Thanks to NetGalley and Little, Brown for the ARC of this book.
I’ve enjoyed reading Carl Hiaasen’s books in the past, they are usually light, easy, fast-paced reads. However, this book was not my cup of tea. The plot was wafer-thin and I really didn’t care for any of the characters.
The book is about Andrew Yancy, a former policeman trying to find a missing reality TV show star in the Florida Keys. The ‘Razor Girl’ of the title is a petty criminal who Yancy hooks up with. A woman called Merry who crashes in the peoples’ cars while pretending to shave her bikini line (seriously!) in order to kidnap people to order.
There’s a fatal flaw with this book; the plot could have been resolved very quickly if Yancy would simply call the police when he encounters the main suspect in the crime. He comes across him several times and never calls the police because he is trying to solve the crime himself in order to try to get reinstated as a policeman rather than a health inspector. How he plans to do this without getting the police involved is beyond me and he just keeps putting himself and others in danger. It is stupid and illogical and just serves to draw out a non-existent storyline. It also means there’s no tantalising whodunnit as we pretty much know all along who the perpetrator of the crime is.
Other issues include pointless sub-plots. There is one about a man who makes money reinstating beaches and gets entangled with the mafia. All the plots tie together, but this storyline felt like unnecessary padding for me.
Another problem I had was the surplus of unrealistic one-dimensional, over-sexed female characters. All the women in the book are willing to sleep with any man for the slightest favour, and either criminals or money-grabbing sluts without decent occupation. There’s not one intelligent, moral, upstanding, realistic female character. It infuriated me. You can entirely tell the book is written by a man, as the women are only valued as objects of sexual desire and they all act like they’ve sprung from a 15-year-old boy’s sexual fantasy.
I know this is supposed to be a light-hearted piece of fluff but it was just too stupid for me with too many ridiculous coincidences and a really uninspired plot.