Thanks to NetGalley and Random House for the ARC of this book.
I loved the first few books in the Noughts and Crosses series, especially the first. However, after reading this, I wish that Malorie Blackman had stopped after the initial trilogy. I was really disappointed.
I did not realise when I started reading this book that it was part of a new series rather than a standalone book, if I had known, I may have paused before reading this. It does the most frustrating thing that books in a series can do; it builds up the background, the plot and the characters slowly and just as you are beginning to get interested in the characters and the plot feels like it has actually got started, it just stops with a ‘to be concluded’. It’s like reading half a book and then just stopping. There is no conclusion, no satisfaction.
I don’t mind reading a book in a series if at the end of a book there are a few loose ends for future books to deal with but this book simply stops, there is no resolution to any of the plot strands. It feels like one book has been divided in two just to sell more books and make more money.
In addition to the ending, I didn’t feel like the rest of the book lived up to Blackman’s previous books in this series. I found it hard to care about characters I had previously liked such as Sephy and Callie and I really didn’t care for the new young characters like Troy and Libby. I’ve seen lots of reviews describing this book as a searing indictment of today’s society and the current political situation in Britain and America, but I just didn’t see that. It felt muddled, all the characters are really flawed and I couldn’t really tell what point the book was trying to make. Maybe if I’d got to read the second half of the story, it would have been clearer, but I guess I’ll just have to wait and see. I think the swapping of the races so that black people are the dominant race, which worked so effectively in the earlier books adds nothing to this book, and actually serves to confuse who we should be rooting for.
If you are planning to read this, I’d probably wait until the next book comes out to avoid the frustration of the ending.
Thanks to NetGalley and Random House UK, Cornerstone for the ARC of this book.
I love Harlan Coben books and always look forward to a new one. They are always a quick entertaining read with thought-provoking family quandaries.
This one is one of Coben’s stand alone books, although it does feature a couple of recurring characters from his other books just as a wink to his regular readers. It was, as expected, an easy, enjoyable read, but I didn’t find it one of the best examples of his work. I was more than half way through the book when I realised I was still waiting for that intriguing hook that most of his books have to make you interested.
I think I have probably just read too many of Coben’s books now, so the themes are very familiar and they are not as surprising or fresh as they were when I started reading his books. I still enjoy his voice and find the books a good read but they just lack the fizz and surprise elements they used to have for me and are beginning to feel quite formulaic.
I think the unique hook for this book was supposed to be figuring out the connection between the murder of several men who have all recently used a DNA service, but this never quite sparked my interest as a mystery. There’s also the question of what has happened to the lead character’s junkie daughter, but I didn’t care much for this mystery either and it is resolved by exposition at the end of the book and not really through the main action of the book.
Still, I would wholeheartedly recommend Harlan Coben’s books to anyone, especially people who are new to his work, they have a real treat in store. I wish I could discover him for the first time again.
Thanks to NetGalley and Canongate Books for the ARC of this book.
I wish Matt Haig’s series of kid’s books about the origin and early years of Father Christmas had been around when I was a child. I would have loved them! ‘Santa Claus the Movie’ was my favourite film and these books would have been right up my street. This series would make a fabulous Christmas present for a 9/10 year old. The stories are fun and the illustrations are humourous and enhance the stories well.
I listened to the first book in the series ‘A Boy Called Christmas’ as an audiobook. It’s exquisitely read by Stephen Fry. I thought it was an enjoyable tail but slightly trailed off into a bit too much exposition at the end. This book, the second in the series, is plotted much more tightly and is a great festive adventure. Christmas is in danger because Amelia, the girl who most believed in the magic of Christmas, is losing her faith, and trolls are attacking Father Christmas’s home Elfhelm. On Christmas Eve Father Christmas sets out to Victorian England to save Amelia, the elves and Christmas.
I really enjoyed this book and can’t wait to read it with my daughter when she is old enough, I’m sure she’ll find it a magical experience.
Thanks to NetGalley and Egmont Publishing for the ARC of this book.
I read the first book in this series, ‘Dash and Lily’s Book of Dares’ a few years ago. I didn’t remember much about it, other than I thought it was OK. It had a pleasant, if unlikely, book-themed Christmassy romance and I absolutely loved the cover, which is beautiful, perfect for the book and so much better than the sequel’s cover (see above for the contrast). I’m pretty partial to a Christmas-themed romance so I thought I’d give the sequel a whirl.
Unfortunately, this book is not great. It falls into the trap of so many unnecessary romance sequels in that it has to create some drama/conflict between the protagonists but doesn’t want to destroy their relationship or make either fall out of love or do anything bad, so the drama comes from miscommunication. If the two leads just sat down and had an honest, candid conversation, they would realise they are both completely on the same page. That’s one of the most frustrating premises to read and is too thin to sustain a whole book.
The one thing this book does do well is to highlight how as you get older Christmas begins to lose its magic and starts to remind you of the passage of time and the people who are missing from the celebrations. This is obviously true but not really the feeling you are hoping to get from a cosy YA Christmas romance book. You want the magic and escapism. These are missing from most of the book as for the majority of the time Lily, one of the main protagonists, is thoroughly depressed about her life. She mopes and mopes and mopes; moping white, rich, privileged teenagers with loving families has to be one of the most boring thing to read about. Your life is not that bad! You have enough money and influence to organise a private skating rink party with a hot chocolate caterer and ice dancers at a day’s notice a couple of days before Christmas, for goodness sake! Ridiculous.
This book is sadly lacking in sparkle and won’t do much to put you in the Christmas mood.
Thanks to NetGalley and Little, Brown for the ARC of this book.
I’ve really enjoyed Jane Harper’s two previous books, but I think this is my favourite book by her so far. Unlike her other books, this is a standalone self-contained story of a family and the mystery surrounding the death of one of three brothers. It’s an easy, quick, engrossing read with a satisfying, if a little neat, conclusion.
In common with her previous books, this book does a wonderful job of evoking the huge landscapes and isolation of the Australian outback. I’m not sure I’ve read another author who is so good at bringing to life the landscape of a place without resorting to long, boring, florid descriptions which take you out of the story. It is such a skill to bring the landscape to life so well while always writing in service of the narrative. I love reading her books.
I really warmed to Nathan, the main character in this book, who is able to acknowledge his flaws and bad choices while still seeming somehow noble and trustworthy. His son Xander is also a really sweet and likeable character. It is really intriguing following the two of them trying to unravel the mystery of the reason behind Nathan’s brother Cameron’s death and uncovering secrets at the heart of their family.
I’d highly recommend this and Harper’s other books.
Thanks the NetGalley and Penguin UK – Michael Joseph for the ARC of this book.
This is the third book in the Orphan X trilogy. I’m not sure why I keep reading these books. The first one was ridiculous, the second was even more ridiculous and it’s clear from the end of this book that the series is heading into beyond ridiculous high-level conspiracy territory.
I picked up this book hoping to discover the fate of Jack which was left dangling at the end of the last book, fortunately this is disclosed almost immediately. I was also hoping this book might tie up the series and that Evan and Mia could finally settle down and be happy together and I could stop reading this series, alas this did not happen; this is clearly one of those series which is going to drag on and on and milk its premise (a silly Jason Bourne rip-off) for all it is worth.
I think I should probably stop reading the series anyway. It’s not that these books are bad; they are standard by numbers thrillers with overblown repetitive descriptions (do I really need to know the make of every gun and car?) and unsubtle emotional language; but I’m sure they meet the needs of their target audience, I’m just pretty positive that’s not me.
What’s puts me off the most is the way this book revels in its descriptions of violence, the main character Evan is basically a killing machine and in this book is responsible for at least 50 deaths and the glee the book feels when describing these is just wrong. I also really object to the awful leery language used to describe the female character Candy, she is the sum of all her physical parts and I feel queasy whenever I read a passage describing her. I really think contemporary books, even with a male focus, should do better with this.
Farewell Orphan X, may I reread this review if I’m ever tempted to pick up another book in this series.
Thanks to NetGalley and Penguin for the ARC of this book.
This book is a blast! I had so much fun reading it. I was so worried when it started with 5 stereotyped teens entering detention that it would be a dismal, unnecessary retelling of ‘The Breakfast Club’; but then one of the kids dies and immediately I knew I was in safe hands.
It’s a teen murder mystery set in an American high school with really likeable characters and a sweet unbelievable romance. My favourite element was the transformation of the character Addy from clingy girlfriend to independent girl who realises it’s better to be alone that be with a man who won’t let you be yourself.
I guessed two thirds of the solution to the crime but there was one element I didn’t see coming. I really enjoyed the whole book and would love to read more by this author.
Thanks to NetGalley and Quercus Books for the ARC of this book.
Boy, this book is loooooong and dull. I should have enjoyed it; it features much of what I love in novels: contemporary American setting, teen romance, coming of age story, cute dog. I should have loved it, but it was so long and repetitive and the story is so drawn out that the final reveal is utterly underwhelming.
‘The Baltimore Boys’ is the story of Marcus Goldman, who incidentally is also the narrator of Dicker’s previous book ‘The Harry Quebert Affair’, and his obsession with his richer cousins and the tragedies which befall the Goldman family. It’s a thorough exploration of the dynamics of male jealously between cousins, brothers, friends etc. etc. We get it; even successful, rich, popular people can feel jealous of other people, even people they love. I found everyone pretty unlikable and found it quite hard to empathise with the rich spoiled white people and their problems
We know from the beginning of the book that something bad happens to the cousins who Marcus adores. It seems they are probably dead. I thought I would care what happens to them, that it would be some dreadful tragedy. However, when I got to the reveal at the end I was shocked we were supposed empathise with these characters who have done horrible things to each other and ruined their own lives. I definitely don’t think that was how the book wanted me to feel.
I’m afraid, I can’t recommend this book. I think Dicker’s first book was better but also found that one long, contemplative and overly drawn out, so I guess that’s just his style. They’re originally written in French or German, I think, so maybe something is lost in translation.