Thanks to NetGalley and Harper Collins for the ARC of this audiobook.
Confession time: to my shame I’ve never actually read an Agatha Christie book. I tried to read the Poirot mystery ‘The Third Girl’ once but gave up about 80 pages in because it was really dull at not at all what I expected from a Poirot book. I probably picked it because it’s not one I had seen adapted for TV, so I wouldn’t know the story. However, I’ve since realised that it was one of Christie’s later Poirot books and is not considered to be one of the best, so it’s a shame it put me off reading her other books. I should probably try one of her more popular books.
I decided to try one of Sophie Hannah’s new Hercule Poirot books because the cover is just exquisite and really appealing. The audiobook version of this book was an excellent choice for my reintroduction to world of Agatha Christie. It is expertly read by Julian Rhind-Tutt, his narration is a tour-de-force and probably makes this book twice as enjoyable as it would have been reading the paper version. His accent for Poirot is perfect and conjures up David Suchet’s TV Poirot beautifully. I would definitely search out more audiobooks narrated by him.
I’m less convinced by the actual writing of the book. It’s quite enjoyable and I listened to it In the course of one day, so I definitely found it compelling. However, the mystery itself is a bit flat, the murders are crimes of passion rather than premeditated evil which means Poirot does not have a decent villainous sparring partner to outwit. The conclusion was not very exciting and I don’t think there were enough breadcrumbs to help the reader to become engaged in guessing whodunnit.
The other problem with the writing is that it is almost entirely dialogue and exposition and very little action. I usually prefer books which are mostly dialogue and don’t get bogged down with pages and pages of scene-setting and description, but there is very little drama in this book. It really fails the ‘show don’t tell’ test as it is almost all just people standing around relating events to each other. I assume this must be faithful to Christie’s style and that her books probably also just feature Poirot listening to people telling him what happened and then him telling everyone what actually happened, but it’s not a very sophisticated or pleasing way to convey narrative. I guess I’ve been spoiled by the TV adaptations which able to dramatise the explanations characters are giving to make the story more immersive.
I think Sophie Hannah does a good job with the the language she uses of making you feel like you are genuinely reading a book from Christie’s time, but I definitely need to try another Poirot book actually written by Agatha Christie to see how it compares. I’ll pick up one of her more famous books next time.
I would recommend this audiobook for the excellent narration by Julian Rhind-Tutt which really raises the enjoyment level of the slightly lacklustre story.