Thanks to NetGalley and Random House for the ARC of this book.
I loved the first few books in the Noughts and Crosses series, especially the first. However, after reading this, I wish that Malorie Blackman had stopped after the initial trilogy. I was really disappointed.
I did not realise when I started reading this book that it was part of a new series rather than a standalone book, if I had known, I may have paused before reading this. It does the most frustrating thing that books in a series can do; it builds up the background, the plot and the characters slowly and just as you are beginning to get interested in the characters and the plot feels like it has actually got started, it just stops with a ‘to be concluded’. It’s like reading half a book and then just stopping. There is no conclusion, no satisfaction.
I don’t mind reading a book in a series if at the end of a book there are a few loose ends for future books to deal with but this book simply stops, there is no resolution to any of the plot strands. It feels like one book has been divided in two just to sell more books and make more money.
In addition to the ending, I didn’t feel like the rest of the book lived up to Blackman’s previous books in this series. I found it hard to care about characters I had previously liked such as Sephy and Callie and I really didn’t care for the new young characters like Troy and Libby. I’ve seen lots of reviews describing this book as a searing indictment of today’s society and the current political situation in Britain and America, but I just didn’t see that. It felt muddled, all the characters are really flawed and I couldn’t really tell what point the book was trying to make. Maybe if I’d got to read the second half of the story, it would have been clearer, but I guess I’ll just have to wait and see. I think the swapping of the races so that black people are the dominant race, which worked so effectively in the earlier books adds nothing to this book, and actually serves to confuse who we should be rooting for.
If you are planning to read this, I’d probably wait until the next book comes out to avoid the frustration of the ending.
Thanks to NetGalley and Random House UK, Cornerstone for the ARC of this book.
I love Harlan Coben books and always look forward to a new one. They are always a quick entertaining read with thought-provoking family quandaries.
This one is one of Coben’s stand alone books, although it does feature a couple of recurring characters from his other books just as a wink to his regular readers. It was, as expected, an easy, enjoyable read, but I didn’t find it one of the best examples of his work. I was more than half way through the book when I realised I was still waiting for that intriguing hook that most of his books have to make you interested.
I think I have probably just read too many of Coben’s books now, so the themes are very familiar and they are not as surprising or fresh as they were when I started reading his books. I still enjoy his voice and find the books a good read but they just lack the fizz and surprise elements they used to have for me and are beginning to feel quite formulaic.
I think the unique hook for this book was supposed to be figuring out the connection between the murder of several men who have all recently used a DNA service, but this never quite sparked my interest as a mystery. There’s also the question of what has happened to the lead character’s junkie daughter, but I didn’t care much for this mystery either and it is resolved by exposition at the end of the book and not really through the main action of the book.
Still, I would wholeheartedly recommend Harlan Coben’s books to anyone, especially people who are new to his work, they have a real treat in store. I wish I could discover him for the first time again.
Thanks to NetGalley and Canongate Books for the ARC of this book.
I wish Matt Haig’s series of kid’s books about the origin and early years of Father Christmas had been around when I was a child. I would have loved them! ‘Santa Claus the Movie’ was my favourite film and these books would have been right up my street. This series would make a fabulous Christmas present for a 9/10 year old. The stories are fun and the illustrations are humourous and enhance the stories well.
I listened to the first book in the series ‘A Boy Called Christmas’ as an audiobook. It’s exquisitely read by Stephen Fry. I thought it was an enjoyable tail but slightly trailed off into a bit too much exposition at the end. This book, the second in the series, is plotted much more tightly and is a great festive adventure. Christmas is in danger because Amelia, the girl who most believed in the magic of Christmas, is losing her faith, and trolls are attacking Father Christmas’s home Elfhelm. On Christmas Eve Father Christmas sets out to Victorian England to save Amelia, the elves and Christmas.
I really enjoyed this book and can’t wait to read it with my daughter when she is old enough, I’m sure she’ll find it a magical experience.
Thanks to NetGalley and Egmont Publishing for the ARC of this book.
I read the first book in this series, ‘Dash and Lily’s Book of Dares’ a few years ago. I didn’t remember much about it, other than I thought it was OK. It had a pleasant, if unlikely, book-themed Christmassy romance and I absolutely loved the cover, which is beautiful, perfect for the book and so much better than the sequel’s cover (see above for the contrast). I’m pretty partial to a Christmas-themed romance so I thought I’d give the sequel a whirl.
Unfortunately, this book is not great. It falls into the trap of so many unnecessary romance sequels in that it has to create some drama/conflict between the protagonists but doesn’t want to destroy their relationship or make either fall out of love or do anything bad, so the drama comes from miscommunication. If the two leads just sat down and had an honest, candid conversation, they would realise they are both completely on the same page. That’s one of the most frustrating premises to read and is too thin to sustain a whole book.
The one thing this book does do well is to highlight how as you get older Christmas begins to lose its magic and starts to remind you of the passage of time and the people who are missing from the celebrations. This is obviously true but not really the feeling you are hoping to get from a cosy YA Christmas romance book. You want the magic and escapism. These are missing from most of the book as for the majority of the time Lily, one of the main protagonists, is thoroughly depressed about her life. She mopes and mopes and mopes; moping white, rich, privileged teenagers with loving families has to be one of the most boring thing to read about. Your life is not that bad! You have enough money and influence to organise a private skating rink party with a hot chocolate caterer and ice dancers at a day’s notice a couple of days before Christmas, for goodness sake! Ridiculous.
This book is sadly lacking in sparkle and won’t do much to put you in the Christmas mood.
Thanks to NetGalley and Bloomsbury for the ARC of this book.
This is going to be a very brief review because I really don’t want to spoil this book for anyone who might want to read it and pretty much anything I say about this book will be a spoiler.
I will just say that this is an incredibly complicated, intricately plotted and astonishingly detailed novel. I found it really difficult to get into because it throws you right into the action with an amnesiac unreliable narrator and it takes a while to get to grips with what is going on; but I’m glad I persisted because it is a thoroughly rewarding and unique read. I was not entirely satisfied with the ending but the journey was very interesting.
I think the title is a bit misleading, I was expecting the book to be about a woman called Evelyn; however, she’s a fairly secondary character. Instead, it is told from a very buttoned-up traditional male perspective, which I found a bit off-putting to start off with.
I’d definitely recommend this book to fans of golden age crime looking for thoroughly modern and mind-bending interpretation of the traditional 1920s crime novel.